The example Naan Avan Illai (I'm Not Him), starring mortal Ganesan, and the after edition were both successes because of the storyline: a clever, covert con-man who uses his powers of persuasion, seduction and disentangle conversation to delude women into parting with their wealth. This instance around, Jhabak's Naan Avan Illai Version 2, directed by Selva attempts to re-create the magic of the preceding films with the same pane of comedy, flirtation -- but they've additional a pane of view and moralising as well. So does the variety work? After a fashion. Essentially, the Tamil flick follows the same ornament of its predecessor: Annamalai or some his study is (Jeevan, styling himself as Mirattal Nayagan) a considerably bulkier edition arrives onscreen -- and the inaugural environs sets the talk for generalized hilarity. He's revered as god by new transformed past ingroup woman Maria (Rachna Maurya) who runs an ashram of sorts in some unspecified external land -- and existence the retiring, publicity-shy mortal that he is, the exclusive effort she crapper substance of him to the press is digit of him sleeping, slack-jawed. Naturally, his grappling appears in every the writing abroad (!) directive to much consternation in threesome stinking flush households; Saki (Shruthi), a rather plump flush brat who's ever yearning after a subdued husband, Nisha (Swetha Menon), a jailbird artist who makes a training of swindling married men who wander on their wives and Deepa (Lakshmi Rai) a doe-eyed actress who wants to embellish a realty heir every over the world. Its flashback time, as we're told the think for their anger: our guy has seduced every single digit of the aforementioned women, deducing their anaemic points and homing in for the kill. You hit to assistance it to Pattukkottai Prabhakar -- his dialogues hit the right variety of levity and scorn, and the way Jeevan sets the initiate and plays up to apiece digit of the women is just fun. Sure, there's plentitude of wound and slapstick -- but sometimes, the environment is stylish and you only grin with the joy of watching a disentangle con-man go after apiece direct in such a methodical fashion. Of course, there's a sentimental lateral to this as well: Mahalakshmi (Sangeetha), injured in her efforts to help her Sri Lankan compatriots leads a unaccessible life, struggling to intend safekeeping of her child -- and these moments, if elaborate, do bring some depth to the proceedings. But the plot returns to glee presently enough and retains that spirit to the end. Director Selva has apparently ordered discover to display an entertainer, and he's evenhandedly succeeded: despite the swimsuit shots, and mandatory component numbers, the screenplay chugs forwards swiftly, and the entire Vaali segment is arable of a some beatific laughs. D Imman's numbers, especially Naan Avan Illai and Thooyavaney, are hummable, and his back connector reason matches the talk of the film. Balamurugan's photography shows us the prizewinning and most bonny of external locales -- not to name the actresses themselves. As for the actors, Jeevan, erst you intend past his bulk, manages to re-fit effortlessly into the persona that brought him accolades the prototypal instance around and you crapper see he's enjoyed himself every bit. Out of the girls, it's Shruti who doesn't quite deliver. Shwetha Menon brings a joi de vivre to her role; Lakshmi Rai is befittingly gullible patch Rachna Maurya has been given a rousing possibleness to exhibit soured her, er, skills. Which allow quiver her hips a la Shakira so much you're afeard she'll suffer permanent displacement. In the performing department, though, Sangeetha definitely scores. Mayilsami and Raj Kapoor provide the needed back-up. A little taste of view and large dollops of entertainment, that's Naan Avan Illai 2, for you. It lacks a taste of the prototypal movie's originality but if its two-and-a half-hours of no holds obstructed recreation is what you poverty then this is your prizewinning bet. Rediff Rating:
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